Muharrem Ahmeti Vivi La Vita
Posted : admin On 14.09.2019| Music of Albania | |
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| General topics | |
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| Media and performance | |
| Music festivals | |
| Music media | |
| Nationalistic and patriotic songs | |
| National anthem | |
Unorthodox Funk Bjornar%d1%82%d0%b0%d0%ba%d0%b8%d0%bc%d0%ba%d0%b0%d0%ba%d0%b2%d1%81%d0%b5 Britney Spears Feat Tinashe Slumber Party Remix Carlas Dreams Sub Pielea Mea Remix Muharrem Ahmeti Vivi La Vita Anubis369 Desiinger Panda Dubstep Remix Ty Dolla Ign Stealing. Listen to Muharrem Ahmeti - Vivi la Vita by Muharrem Ahmeti on Deezer. With music streaming on Deezer you can discover more than 43 million tracks, create your own playlists, and share your favourite tracks with your friends.
| Tallava | |
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| Stylistic origins | |
| Cultural origins | Kosovo |
Tallava or Talava is a music genre originating in Albania and Albanian-speaking communities in the Republic of North Macedonia.[1][2][3] Having originated in the Roma community in Kosovo in the 1990s, it is oriental-sounding. It is becoming increasingly popular in Albania and Macedonia.[4] It is identified as part of the wider Pop-folk genre of the Southeastern Europe, which includes Chalga from Bulgaria, Skiladiko from Greece, Manele from Romania and Turbo-folk from Serbia.[5]
Muharrem Ahmeti Vivi La Vita Frasi
- 4Popular singers
- 6References
History[edit]
Tallava originated in the 1980s and 1990s within the Albanian-speaking areas of Kosovo region, created by the Ashkali (Romani) ethnic minority community.[4] The name is derived from Romani tel o vas, meaning 'under the hand', referring to the Chochek dance where the hands are waved delicately.[6] Kosovo Albanian refugees of the Kosovo War in the Republic of Macedonia had brought their music with them, including Tallava.[7] It has since also been adopted by the non-Albanian-speaking Roma in Macedonia.[4]
Identity and reputation[edit]
Tallava occupies an ambivalent place in popular consciousness; it is both celebrated and vilified by the wider Albanian community. In the minds of many, its Ashkali origins imbue it with a lower-class connotation, and it is often disparaged. However, tallava is extremely popular and considered by many necessary for any party, especially a wedding.[8] Kosovo Roma musician Bajram Kafu Kinolli suggests that it is simple racism that gave tallava its low status: “Bearing in mind that it was the Roma, Ashkali and Egyptians who mostly cultivated tallava and that they are in a crisis in regard to presenting their culture… some people label it as a degradation, especially today when the word ‘tallava’ is a dirty, filthy, and degrading term for anything in Kosovo.”[9]
Style and attributes[edit]
Initially, tallava music was performed in cafes, and the def, a kind of tambourine, predominated. In the 1990s, other instruments like drums, bass guitar, guitar, accordion and clarinet were incorporated. Kafu Kinolli sees tallava as distinct from the wider turbo-folk umbrella genre in that whereas a turbo-folk song has a linear structure (e.g., verse-chorus-verse-chorus), tallava songs are longer, more improvisational, and without a definitive structure. However, this improvisational character leads other musicologists, such as Astrit Stafai, to believe that tallava does not consitute a genre in and of itself: “... tallava is an improvisation of a certain moment, for example at a family-related or personal occasion. Tallava has neither a musical form nor development. It just doesn’t have the proper concept to be a musical style”.[10]
Popular singers[edit]
Albania[edit]
- Mandi nishtulla
- Vani
Kosovo[edit]
- Meda
- Mentor Kurtishi
- Gazmend Rama
- Duli
- Sefë Duraj
- Shkurte Gashi
- Pandora
- Teuta Selimi
- Avdyl Mziu
See also[edit]
References[edit]
- ^Samson, Jim (2013). Music in the Balkans. BRILL.
- ^Refleksion sociologjik mbi kiçin e muzikës tallavaArchived 2015-09-24 at the Wayback Machine
- ^Gail Warrander and Verena Knaus (2010). Kosovo. BRADT.
- ^ abcSamson 2013, p. 79.
- ^Natalie Bayer (2009). Crossing Munich. Silke Schreiber. ISBN978-3-88960-108-7.
Formen wie: tallava in Albanien, chalga in Bulgarien, skiládiko in ... in Rumänien, turbo folk in Serbien usw
- ^Carol Silverman (24 May 2012). Romani Routes: Cultural Politics and Balkan Music in Diaspora. Oxford University Press. pp. 36–. ISBN978-0-19-530094-9.
- ^Samson 2013, p. 77.
- ^Kika, Ardit. 'The Sounds of Tallava'. Prishtina Insight. Retrieved 3 September 2019.
- ^Kika, Ardit. 'The Sounds of Tallava'. Prishtina Insight. Retrieved 3 September 2019.
- ^Kika, Ardit. 'The Sounds of Tallava'. Prishtina Insight. Retrieved 3 September 2019.
Muharrem Ahmeti Vivi La Vita Lyrics
Sources[edit]
- Samson, Jim (2013). Music in the Balkans. BRILL. pp. 77–79. ISBN90-04-25038-7.